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March, 2011

  1. The Little Girl Series: GP Basic

    March 29, 2011 by Ray Mescallado

    My wota self had been looking for years for the “new SweetS”, a group which made me feel as passionately as the Penty Five did when I first got into Jpop. The Korean sextet GP Basic are it. Sure, they’ve only released one single, but “Game” is one of the best songs I’ve heard in a long long while. The steady, insinuating rhythm feeds into a theme of time running out for a prospective pretty boy (boy boy) – “tick tock tick tock ticka ticka my talk” is a line I find myself singing way too frequently.

    Like SweetS at their prime, GP Basic are in their early-to-mid teens, yet project an unapologetic image that embraces their pubescent sexuality. That directness, the willingness to tread the taboo, gives them that same touch of illicit Nabokovan wrongness which marked the debut album of SweetS.

    And that’s the whole point of such a group, isn’t it? There should be an immediate reaction to groups this young acting so mature, a jump-back moment where you think, “This is wrong, I sholdn’t be watching this.” The trick, then, is to fascinate enough that you DO watch, despite yourself, and enjoy what you’re watching on a base level you cannot deny. (That’s how it works for me, at least. But I’ve never been known for my strong moral fiber.)

    But where the Japanese group relied on an arch postmodernism in how they handled their image – purposely playing with and subverting the expectations of lolicon in a mindboggling fashion – GP Basic go for a more slapstick way of defusing the jailbait timebomb. That secret weapon is their youngest member, 12-year-old Janey, whose silly antics and clumsy shout-rapping make her the Flavor Flav of the group, allowing some dangerous ideas to be more palatable because this one joker at least got you to smile.

    Meanwhile, the rest of the girls – led by the deliciously playful Hannah – are carrying on with a laid back insouciance that seems learned from the likes of 2NE1 or After School. In the hands of a girl group old enough to drive or vote, “Game” would not seem at all unusual, and even be declared sexy and hot – if not exactly original. But make a bunch of youngsters do it and suddenly you’re facing issues of appropriateness, of social mores, and of eventually acknowledging (or denying) the fact that this kind of behavior is actually typical among many teens today. These girls aren’t the problem – they’re a symptom.

    Of course, GP Basic isn’t everyone’s cuppa tea and haters gonna hate, but why let that spoil everyone else’s fun? The group is just starting out, they’ll be obsolete soon enough (the second Hannah hits seventeen, as far as I’m concerned), so enjoy them while you can. Tick tock tick tock…


  2. The Old Man Series: B’z

    by misa

    As someone who was practically raised an idol fan, it’s needless to say that whenever I tell someone that my favourite artist is B’z, it raises their eyebrow. I can understand why it’s surprising; B’z are rock, they’re artists; they’re musicians, and that’s definitely not something people are used to from me.

    The first thing people ask me is ‘why?’ and to answer that is easy. I grew up an idol fan, so the first and most obvious answer for me is Koshi. Koshi Inaba, the 46 year old vocalist. The first thing related to B’z I saw was a photo, so of course, I was drawn in by how absolutely, drop-dead gorgeous he is. I don’t care that he’s older than my own father, I love him!

    But the first time I listened to their music, I was a little put off. While Tak Matsumoto, the guitarist, is incredibly talented (and well known all over the world for those talents), Koshi’s voice is certainly unique and in my opinion, something you certainly have to work up to. It wasn’t until a year or two after I initially heard one of their songs that I actually began warming up to his voice and their music, thanks to their single Ichibu to Zenbu becoming the theme song for a drama I liked, Buzzer beat.

    I absolutely loved that song, and it prompted me to download their newer albums and I quickly fell in love with their sound. I brought it up to a few of my friends, too, who directed me to some of their classics, which I was surprised to learn are a lot more loveable than their recent songs.

    I think that once you get past the initial shock of how high pitched Koshi’s voice can get and how hard their sound can be sometimes, anyone can like B’z. Their songs are catchy and loveable, and like many of the idol groups I’ve grown so accustomed to, they have an amazing range of songs, from harder rock to a more pop-like sound. Songs like “Wonderful Opportunity” and “Koi-Gokoro” are the type of feel-good classics that anyone could sing along with.

    B’z are legendary in Japan, and as long as it took me to realize why, I definitely think they deserve to be where they are. If you haven’t heard of them, or any of their songs, you should definitely give them a shot; I can assure you there’s something you’ll like hidden in there somewhere, especially for you wota who took the huge jump from American rock to Japanese idols. It’s a perfect balance!